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<channel>
	<title>Yael Eban</title>
	<link>https://yaeleban.com</link>
	<description>Yael Eban</description>
	<pubDate>Tue, 14 May 2024 19:31:17 +0000</pubDate>
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		<title>Is &#38; Isn't</title>
				
		<link>https://yaeleban.com/Is-Isn-t</link>

		<pubDate>Tue, 05 Jul 2022 01:27:28 +0000</pubDate>

		<dc:creator>Yael Eban</dc:creator>

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	<item>
		<title>False Lighthouse</title>
				
		<link>https://yaeleban.com/False-Lighthouse</link>

		<pubDate>Tue, 05 Jul 2022 01:27:28 +0000</pubDate>

		<dc:creator>Yael Eban</dc:creator>

		<guid isPermaLink="true">https://yaeleban.com/False-Lighthouse</guid>

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False Lighthouse: a false coastal light (or the&#38;nbsp; extinction of a light) which lures ships onto rocky shores. Nautical&#38;nbsp; legend has it that wreckers deliberately decoyed ships onto coasts using&#38;nbsp; false lights so that they crashed ashore for easy plundering.
 Comprised entirely of vernacular photographs from the Peter J. Cohen Collection, False Lighthouse is Eban’s layered examination of photography’s material and metaphysical attributes.
 The design of this book pays homage to Virginia Woolf’s seminal work To the Lighthouse,&#38;nbsp; a novel which functions almost as a psychological poem, straining against the restrictions of traditional narrative and playing with our perceptions of time. Woolf described the structure of her novel as if it were a letter H, or “two blocks joined by a corridor.” False Lighthouse, too, exists on parallel planes, with the two essays at the center by Leah Ollman and Anna Lee bridging the divergent photographic narratives that flank them on either side.---

Published by Meteoro Editions in 2019


9 x 7 in.104 pagesEnglish Hardcover978-0-9975038-7-6First Edition - 500
 Texts by Anna Lee &#38;amp; Leah Ollman
Available in the U.S. at Spaces Corners and Seaton Street Press

Read a review of False Lighthouse at Lenscratch&#38;nbsp;

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	<item>
		<title>Dead Ringer</title>
				
		<link>https://yaeleban.com/Dead-Ringer</link>

		<pubDate>Tue, 14 May 2024 19:31:17 +0000</pubDate>

		<dc:creator>Yael Eban</dc:creator>

		<guid isPermaLink="true">https://yaeleban.com/Dead-Ringer</guid>

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&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/565dce08863466c5d70513a1ed97d14b5f24f8a5943abe3b727cc6f5029739c9/W_GS_December23_TBW_11-25-2310941_edit2.jpg" data-mid="210916769" border="0"  src="https://freight.cargo.site/w/1000/i/565dce08863466c5d70513a1ed97d14b5f24f8a5943abe3b727cc6f5029739c9/W_GS_December23_TBW_11-25-2310941_edit2.jpg" /&#62;

DEAD RINGER &#124; YAEL EBAN AND MATTHEW GAMBER

Softcover with exposed binding and dust jacket120 pages, 95 color plates9 x 12 in.Essay by Clément ChérouxISBN: 978-1-942953-64-7

In this digital world the tactility of the printed past becomes ever more intriguing. To consider where all these photos are, where they go, and what they mean is to tap into endless human histories, both big and small. Today there are almost too many images to process, make sense of, or to give proper attention. Even so, over the last one hundred plus years a wonderful trove has been left behind with which artists can create new worlds. Fetishizing and reevaluating vintage, vernacular photos has a well-trodden tradition. To find new insights and unique perspectives on the genre is rare. But even rarer is to find disparate images that have had separate journeys around the world only to reconvene back here in this collection. 

Working together for the past seven years, Yael Eban and Matthew Gamber have collected the pairs of vernacular photographs found in Dead Ringer in thrift stores, antique markets and on eBay. Either sold as pairs or found separately from different sources, the fruits of the artists’ search highlights the slight variations of the photographic prints and the individual history each has taken. The images’ origins might have begun identically but almost immediately the trajectory of their printed lives veered into distinctly separate directions. Who carried one of these sacred prints in their wallet or kept one framed beside their bed? All to be heaped into a pile of countless other photographs at an estate sale after their passing. Who are these lovers and companions? What are these cherished places? What occasions (momentous or banal) necessitated this documentation? Dead Ringer presents a closer look at the individual journeys of these prints and inspires profound questions about the very object-ness of photography’s earlier life. An essay by historian and curator Clément Chéroux further reveals the mystery of these twin images.

Available for purchase from TBW Books


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		<title>Unearthly Glow</title>
				
		<link>https://yaeleban.com/Unearthly-Glow</link>

		<pubDate>Tue, 05 Jul 2022 01:27:29 +0000</pubDate>

		<dc:creator>Yael Eban</dc:creator>

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Text and spread created for the Pan’s Ghost Stories (issue 4) of the publication Pan &#38;amp; The Dream</description>
		
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		<title>Kyanos</title>
				
		<link>https://yaeleban.com/Kyanos</link>

		<pubDate>Tue, 05 Jul 2022 01:27:30 +0000</pubDate>

		<dc:creator>Yael Eban</dc:creator>

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Kyanos is a double-­sided poster comprised of found cyanotypes from the vernacular photography collection of Peter J. Cohen. Calling attention to a history of the color blue, Kyanos points to an absence of its description in Greek literature, and the discovery of the term ‘kyanos’ being the origin for modern-day cyan.---Offset printed newsprint, 24 in. x 18 in., edition 500, 2016Out of stock</description>
		
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	<item>
		<title>About</title>
				
		<link>https://yaeleban.com/About</link>

		<pubDate>Tue, 05 Jul 2022 01:27:30 +0000</pubDate>

		<dc:creator>Yael Eban</dc:creator>

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	Current:
Grant recipient of the Martha Boschen Porter Fund of the Berkshire Taconic Community Foundation&#38;nbsp;March 2025

Release of the book Dead Ringer, with co-author Matthew Gamber, published by TBW Books
Dead Ringer press:
Photoworks UK
Musee Magazine

Todd Hido for Photobookstore&#38;nbsp;
Photo-Eye

Recent:
The Chisel &#38;amp; The Pencil 
Abakus Projects (Boston, MA)December 2024 - January 2025

New Terrain: 21st-Century Landscape Photography at the Worcester Art Museum
April 6 - July 6, 2024

TBW Books Multi-Title Book Launch at Printed Matter ChelseaJune 6, 2024, 6-8pm
Flyweight at Barely Fair (Chicago, IL)
April 14 - April 23, 2023Millay Arts Photographer in Residence
Winter 2023
2022 NYSCA/NYFA Artist Fellow in Photography from The New York Foundation for the Arts
Turley Gallery (Hudson, NY)
Living Marble Solo exhibition in collaboration with Matthew GamberSeptember 3 – September 25, 2022

Abakus Projects (Boston, MA)
Is &#38;amp; Isn’t (solo)
April 2022


	&#60;img width="1800" height="1902" width_o="1800" height_o="1902" data-src="https://freight.cargo.site/t/original/i/c6669d1c28e01c2fbe7a2b74b9530cba85fa35cbf3503072419ab1e2098edfb0/headshot_2_2022.jpg" data-mid="147271070" border="0"  src="https://freight.cargo.site/w/1000/i/c6669d1c28e01c2fbe7a2b74b9530cba85fa35cbf3503072419ab1e2098edfb0/headshot_2_2022.jpg" /&#62;


Yael Eban is a visual artist working primarily with the medium of photography. Her work investigates photography’s role in visual culture. Eban is a 2022 NYSCA/NYFA Artist Fellow in Photography. She has been featured in Hyperallergic, Artsy, Collector Daily, and FADER. Eban has attended several residencies including MASS MoCA, Wassaic Project, and Vermont Studio Center. She recently served as co-director of Tiger Strikes Asteroid, a non-profit network of artist-run spaces. She is based in the Hudson Valley. 
She also exhibits work as part of a collaborative duo:
Eban &#38;amp; Gamber
Representation:Abakus Projects

Inquiries:yaeleban [at] gmail [dot] com
Instagram:
@yaelebanCommercial Work:
Spencer House Studio



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